Hi Matt!
Thank you, I loved the video you posted too!
To control smoothness of camera movements I often use the graph editor to smooth time and path, using a 24-28 mm camera.
Ciao!
sara
The artwork is really terrific. It's interesting that as everyone more or less uses the same technique of moving virtual cameras around layers, what distinguishes a video is often the quality of the artwork in the layers; in other words, the one thing for which there is no AE filter.
The camera movement also seems really delicate and good. I wonder how you controlled your camera?
hi, Sara!
exelent work! great animation and foreground!even though we work togheder in Italy, this absolutly a 5 cow work in this contest.cheers from the next desk ^_^
Like
Don't Like
7 Likes
0 Dislikes
Reply
Like
Report
sara taigher show reel 09
TEMPORARY LIVING - Mid Air Collision
ON MY STOOP - Erin and Her Cello
STARS FROM DIFFUSE MATTER - microClocks
SEVENTEEN - Matt Kresling
SCARED OUT - Fusz
BIRD OF FEATHER - COG
LOOKING FOR A RABBIT - Laura Imbruglia
TOO BROKEN TO MEND - Track Fighter
MASH - That 1 Guy
METAMORPHOSIS OF MEDIA - Gal Ben Haim
A LHE ESPERAR - Os Paralamas Do Sucesso
WHITE SWAN - Lolly Jane Blue
WILD STRAWBERRIES - Oil On Canvas
THE BALLAD OF HACK-TAO - Black Landlord
WAVES - The Devlins (video will play but...
RAISE THE DEAD - Colin Devlin
HEY GIRL - Daybroke
A COLD MIRROR - Off The International Ra...
THE CONDUCTOR - Ume
OPTIMIST - P.O.S.
GOLDEN SUMMER - Saïbu
NAGDEO - Dréa Drury
MEMORY - Zoot Woman
CHIMNEY SWEEPER - Vinegar Socks
PATRZYSZ (English: You Are Watching) - C...
WE WON'T BREAK - Zoot Woman
DA GHOST - Kceni Kr8
IT'S HARD TO DANCE WHEN YOUR LEGS ARE ON...
OH COME, OH COME, EMMANUEL - The Franz F...
Blind Creates Second Video for Raveonett...
Lettera al futuro
